
How to Use Natural Light Effectively
A Photographer’s Guide to Creative Expansion In photography, light isn’t just an element—it’s the language we speak. And when it comes to natural light, we
When shooting and editing video, understanding different colour formats and gamuts is crucial for achieving the desired visual style and ensuring compatibility across various platforms. The three most commonly used colour formats in video production are REC.709, LOG, and CineLike. Each format has distinct characteristics and is suited for different purposes. Below is a breakdown of these colour formats, their uses, and why you would choose one over the others.
Description: REC.709 is the standard colour gamut for HD video (1080p resolution). It defines the colour space for most consumer HDTVs, Blu-ray discs, streaming platforms, and professional broadcast TV. It’s a widely used standard that ensures consistency across various viewing platforms.
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Description: LOG is a type of flat colour profile used primarily for cinematography. It’s not a colour gamut, but rather a gamma curve that is designed to capture more dynamic range and retain more information in the highlights and shadows. There are several variants of LOG, including S-Log (Sony), C-Log (Canon), and V-Log (Panasonic).
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Description: CineLike is a flatter colour profile designed by Panasonic for use in its consumer and prosumer cameras (such as the GH5). It is somewhat similar to LOG in that it is intended for use in situations where the footage needs to be colour graded later, but it offers a less extreme starting point than LOG.
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Each colour format has its strengths, and the best one to choose depends on the type of content you’re producing, the post-production process, and the overall visual style you’re aiming to achieve.
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A Photographer’s Guide to Creative Expansion In photography, light isn’t just an element—it’s the language we speak. And when it comes to natural light, we
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